BABY SISTER
Narrative Feature
Project Type: Narrative Feature
Project Status: Pre-Production
Director and Writer: Windy Raun
Producer: Michael Dean Hebert and Christina Radburn
Writer & Lead: Carrie Adams
LOGLINE
Under baby pressure from her dying mother, Caroline turns to younger sister Ryan to solve her fertility issues. Can a girl pushing thirty grow up enough to be her older sister’s surrogate? Should she?
SYNOPSIS
Baby Sister takes place over three weekends at a Texas lake house.
Weekend 1
RYAN, her older sister CAROLINE, and Caroline’s husband JAY visit Ryan’s mother GEORGIA, a successful novelist recently diagnosed with cancer and informed she has less than two years to live.
Georgia puts a lot of baby pressure on Caroline, unaware she’s infertile. That night, the sisters bond over their shared situation: Ryan, a lesbian, also can’t conceive a child with her new-ish nonbinary partner SYD. Ryan asks Caroline if she’d ever consider using a surrogate; Caroline says no.
Later, Ryan is furious to discover a surrogacy contract with her own name on it. A sisterly spat (in tubes in the lake–Caroline flips hers in the middle of the fight) turns into an honest conversation and a request from Caroline: that Ryan will be her egg donor and surrogate so Georgia can meet her grandchild before dying.
Ryan takes time to consider. She Googles egg donor profiles, skinny dips and studies her body, considers consulting Syd but chooses not to, and asks Georgia about pregnancy. Ultimately, Ryan tells Caroline she can’t say yes.
Weekend 2
A year later, Ryan brings Syd to the lake house. During the time jump, Georgia passed away and (surprise!) Ryan is four months pregnant! She’s on edge about the weekend, which is worsened when the hospital calls with news that, despite her request for three, she’ll only be allowed two guests in the delivery room.
The official purpose of the weekend is to spread Georgia’s ashes, but the delivery room question looms over everything. The family avoids a direct confrontation and instead goes skeet shooting to show Syd some Texas flavor. Everything collapses when Caroline, making too big of a show of not micromanaging Ryan’s diet, makes paninis; Ryan, making too big of a show of being responsible, refuses to eat deli meat while pregnant. The fight, obviously not about sandwiches, escalates to a blow out.
After each couple debriefs, Caroline and Ryan reunite (without fully reconciling) to sort through their mom’s stuff, while Jay and Syd fix the family jet ski. The shared grief softens Ryan and Caroline; the masculinity of machine maintenance bonds Jay and Syd.
After the family spreads Georgia’s ashes, Ryan informs everyone that, even though it’s Caroline and Jay’s baby, she needs Syd in the delivery room.
Early the next morning, Ryan kayaks alone, still struggling with the pregnancy’s emotional and physical toll. Another pregnant kayaker appears, and the strangers sit together before going their separate ways. When Ryan returns to the dock, Caroline is waiting, ready to haul the kayak out of the water.
Weekend 3
Another year-ish later, the family gathers again at the house for Ryan and Syd’s wedding. This time, baby George has joined the family. After the ceremony, Ryan and Caroline sneak off with George. The sisters agree that their mom knows everything worked out. Ryan holds George until he starts crying and she immediately hands him to his mom.
MORE ABOUT THE PROJECT
Baby Sister is about family and queerness and death and new life, about the things we do for each other and why we do them.
It’s also about Jet Skis and skeet shooting and whether Lone Star Light is any good or not. In Baby Sister, we honor both these giant themes and also that the action of family is mostly hanging out. It’s important to us to show queer people having fun, creating and loving their family, and being real, full human beings in spite of How Hard It All Is.
Fertility, surrogacy, pregnancy, and queerness are all issues that are hugely relevant right now, and we’ve decided to set the film in a state where this is particularly complicated: Texas. We are interested in juxtaposing the ugliness of some of Texas’ laws with the beauty of the real people who live and love in Texas. These are the types of Texans people are not used to seeing in movies.
This film is co-written by Windy Raun and Carrie Adams, both of whom are queer and connected to the topic of the various ways the LGBTQ families are built and maintained. It will be directed by Windy and Carrie is our lead actor. My co-producer Christina Radburn also identifies as queer, and we're all deeply committed to getting this story right..
Meet the Filmmakers
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Windy Raun (They/Them)
Director and Co-Writer
Windy Raun is a nonbinary director, writer, and editor originally from Houston, Texas. They are a graduate of Rice University, The USC School of Cinematic Arts, and the Google Creative Lab Five Program (other alums include Aneesh Chaganty and Sean Wang). As a freelance editor, Windy has worked on campaigns for Apple, Google, YouTube, ESPN, and Patreon, and they were an assistant editor on Renaissance: A Film By Beyonce. As a director, Windy’s shorts have played at Dances with Films (both NY and LA), Rhode Island Flickers Film Fest, Hollyshorts, The Hollywood Comedy Festival, The Houston Cinema Arts Festival, and the Lovers Film Fest.
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Michael Dean Hebert (He/Him)
Producer
Michael Dean grew up in Northern Wisconsin. He went to school at the University of Wisconsin-Madison, where he studied film and philosophy and helped run the student comedy paper. He first started production work in Madison, making commercials for MillerCoors, before moving to LA to pursue filmmaking. He is currently a Manager of Development Production at Netflix Animation. Prior to Netflix, he worked at Disney on Encanto, which won the Academy Award for Best Animated Feature. He has produced two short films going to festivals in 2025.
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Christina Radburn (She/Her)
Producer
Christina Radburn is an award-winning film producer and production executive based in Los Angeles, California, with 15+ years of experience within the screen industry. A storyteller with a strong commitment to creating content about the human condition that is honest and representative of the world we live in. Christina is a Fast Track Finance Market and Producing Lab, Film Independent Fellow. She is an alumna of the Screen Producers Australia Ones To Watch program. Her films have screened at notable film festivals, including Sundance, SXSW, Tribeca, Telluride, Melbourne International Film Festival, and Palm Springs, with distribution on Netflix, Hulu, National Geographic, and Paramount +.
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Carrie Adams (She/Her)
Co-Writer, Lead
Carrie Adams is a queer actor, writer, and producer who grew up in Yarmouth, Maine and Tokyo, Japan. Her first writing project, High Noon, was co-written with Windy. In addition to US screenings, the short played at European and South American LGBTQ+ film festivals. Carrie graduated from Brown University with degrees in Theater Arts and Comparative Literature. She can be seen in the upcoming James L. Brooks film Ella McCay starring Jamie Lee Curtis, Ayo Edebiri, and Woody Harrelsen.
Your Help
BABY SISTER is a fiscally sponsored project of Cinematography for Actors, a 501(c)(3) nonprofit organization. Your donation will be tax-deductible!
